Omnisphere Hardware Integration 2. 6

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Omnisphere Hardware Integration 2. 6 3,9/5 750 votes

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Omnisphere 2.6 Review

Spectrasonics Omnisphere 2.6 VST AU + Sound Library
Size 63.5 Gb

Omnisphere 2.6 – Endless Possibilities

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Jan 25, 2019 Omnisphere’s unique Hardware Synth Integration feature bridges the physical experience gap between software and hardware, giving users intuitive control of Omnisphere by using the familiar layout of their hardware synth. With the new 2.6 release, many requested hardware synth profiles have been added, including support for over 60 popular.

Omnisphere 2 is the flagship synthesizer of Spectrasonics – an instrument of extraordinary power and versatility. Top Artists all over the world rely on Omnisphere as an essential source of sonic inspiration. This award-winning software brings many different types of synthesis together into one amazing-sounding instrument that will spark a lifetime of exploration.

Hardware Sound Library Omnisphere 2.6 includes a stunning 'Hardware Library' with over 1,600 patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the hardware library where were specially designed using theta hardware synth as an Omnisphere controller.
To recap, Omnisphere 2.5’s hardware synth integration enables you to use a range of classic synths to control Omnisphere. A selection of new profiles has been added in version 2.6 (see below for the full list), bringing the total to more than 60. The arpeggiator, meanwhile, gets new creative tools, a new preset library and more.

Hardware Synth Integration

Omnisphere 2.6 is the only software synth in the world to offer a Hardware Synth Integration feature. This remarkable innovation transforms over 65 well-known hardware synthesizers into extensive hands-on controllers that unlock Omnisphere’s newly expanded synthesis capabilities. Simply put, this ground-breaking feature makes using Omnisphere feel just like using a hardware synth! By bridging the physical experience gap between software and hardware, users gain intuitive control of Omnisphere by using the familiar layout of their supported hardware synth. Virtual instrument users can now experience the joy of the hardware synth workflow and hardware synth users can fully expand their capabilities into the vast sonic world of Omnisphere!

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New Hardware Sound Library

Omnisphere 2.6 includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller. These inspiring new sounds feature a wide range of categories and many have a distinctly ‘classic’ flavor! Notably, the 2.6 update takes Eric’s classic sound design work from the original 1987 Roland D-50 into completely new sonic territory with Omnisphere’s vast synthesis capabilities. Best of all, the new sounds are available for ALL users, regardless of using the hardware or not!

Omnisphere 2.6 New Features

Now includes over 12,000 inspiring sounds for all types of music production
New Interface with enhanced browsing and zooming into deeper synthesis levels
Audio Import—Use your own audio file as a soundsource in Omnisphere 2.6
Over 400 New DSP Waveforms for the Synth Oscillator
Sound Match feature instantly locates any related sounds in the library
Sound Lock feature gives endless variations by locking sound aspects while browsing
New Spotlight EDM library with cutting-edge, modern sounds
Powerful New Granular Synthesis algorithm for amazing transformations
58 incredible FX Units, which are fully integrated and can be modulated
Creative Psychoacoustic sounds from the renowned Spectrasonics sound design team
Wavetable Synthesis—Each waveform is now a Morphing Wavetable
ORB circular motion interface allows infinitely-shifting variations
Deeper FM / Ring Modulation capabilities for aggressive timbres
Dual Filter architecture includes more than 28 filter algorithms in series or parallel
Performance-oriented Live Mode allows for seamless patch layering on the fly
Flex-Mod modulation system allows powerful, modular-style matrix routing
Stack Mode interface allows for complex patch-layering, splits, and crossfades
New mini-browser available at all times plus larger full browser design
Up to 10 oscillators per patch can be either DSP synth or sample-based
Eight independent Arpeggiators with unique Groove Lock feature
Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
Six full-featured LFOs per patch, with syncing and complex waveforms
Eight Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
Easy Sound/Project Sharing for collaborators and third-party libraries
Sample-based soundsources can be processed with synthesis features